Dear Friends, In exploring the teachings of Christ between the Resurrection & Ascension I came across this: “Now the Christ taught his initiates that he came from a world where death was unknown; he learnt to know death, here on earth, and conquered death. If one understands this connection between the earthly world and the divine world, it will be possible to lead the intellect back gain into spirituality.
We might express approximately in this way the content of the esoteric teachings given by the Christ to his initiated disciples: it was the teaching of death, as seen from the scene of the divine world. If one wishes to penetrate into the real depths of this esoteric teaching, one must realize that he who understands the entire evolution of mankind knows that the gods have overcome Ahriman by using his forces for the benefit of the Earth, but his power has been broken because the gods themselves learnt to know death in the being of Christ.
Indeed, the gods have placed Ahriman into the evolution of the earth, but, in making use of him, they have forced him to come down into the evolution of the earth without completing his own rulership. He who learns to know Ahriman since the Mystery of Golgotha and he who knew him before, knows that Ahriman has waited for the world-historic moment in which he will not only invade the unconscious and subconscious in man, as in the case since the days of Atlantis (you know this through my “Occult Science”), but will invade also man’s consciousness.
If we apply human expressions to the willing of gods, we might say that Ahriman has waited with longing for the moment in which to invade human consciousness with his power. His purpose was thwarted because he knew nothing of the divine plan whereby a being — the Christ — was to be sent to the Earth, a being who underwent death. Thus the intervention of Ahriman was possible, but the sharp edge was taken off his rule.
Since then, Ahriman uses every opportunity to encourage men in the exclusive use of the intellect. Ahriman has not lost all hope today that he will succeed in inducing men to use only their intellect. What would this imply? If Ahriman would succeed in convincing men against all other convictions that man can live only in his body and that, as a spirit-soul being, he cannot be separated from his body, the idea of death would seize the souls so strongly that Ahriman would be able to realize his plans quite easily. Ahriman hopes for this always…In the predominant sway of materialism Ahriman could cherish new hopes for his rule over the earth. In this time even theology becomes materialistic. This gave new hopes to Ahriman.
An antagonism to Ahriman exists today only in the teachings like those that stream through Anthroposophy….
If we look at the human mind and soul we must say that the most important point in mankind’s evolution lies where man learns to know that the Christ-impulse contains a living force which enables him to overcome death in himself, when he unites himself with it”. ~Rudolf Steiner, Exoteric and Esoteric Christianity, Dornach, April 2nd 1922, GA 211
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15 April 2020 – “Speaking with the Stars”: This evening Venus (occult Mercury) forms a perfect isosceles triangle with Aldebaran to the lower left & the 7 sisters: Pleiades, to the lower right.
A new comet is heading for the sun. Discovered just a few days ago, Comet SWAN is bright, green & seems to be experiencing an outburst, releasing “massive quantities” of hydrogen-rich material. It could become visible to the naked eye next month. In late May it will pass by the sun near the orbit of Mercury (occult Venus).
Rudolf Steiner’s Lectures on this day
ON THIS DAY IN HISTORY
The Day of Archangel Raphael
1452 – The Birthday of Leonardo da Vinci – According to the spiritual scientific research of Rudolf Steiner this individuality incarnated before as Augustine, Judas Maccabee & then…
“What is inscribed in the Akasha Chronicle between the earth and the moon is of special importance because it is there that among other things all imperfections are recorded. It should be realized that the inscribing of these imperfections is governed by the view that every record there is of significance for the individual’s own evolution, either furthering or hindering his progress. Because it is there inscribed in the Akasha Chronicle between earth and moon, it also becomes significant for the evolution of the earth as a whole. The imperfections of really great men are also recorded in that sphere. One example of tremendous interest for clairvoyant observation is Leonardo da Vinci. He is a spirit of greatness and universality equaled by few others on earth, but compared with what he intended, his actual achievements in the external world in many respects remained incomplete. As a matter of fact, no man of similar eminence left as much uncompleted as Leonardo da Vinci. The consequence of this was that a colossal amount was inscribed by him in the Moon sphere, so much indeed that one is often bound to exclaim, “How could all that is inscribed there possibly have reached perfection on the earth!”
At this point I want to tell you of something that seemed to me quite significant when I was studying Leonardo da Vinci. I was to give a lecture about him in Berlin and a particular observation made in connection with him seemed to be extremely important. It fills one with sadness today to see on the wall of the Church of Santa Maria della Grazie in Milan the rapidly disappearing colors that now convey no more than a faint shadow of what the picture once was. If we remember that Leonardo took sixteen years to paint this picture, and think of how he painted it, we gain a definite impression. It is known that he would often go away for a long time. Then he would return to the picture, sit in front of it or many hours, make a few strokes with the brush and go off again. It is also known that many times he felt unable to express what he wished in the painting and suffered terrible fits of depression on this account. Now it happened that a new prior was appointed to the monastery at a time when Leonardo had already been working at the picture for many years. This prior was a pedantic and strict disciplinarian with little understanding of art. He asked impatiently why the painter could not finish the picture, reproached him for it and also complained to Duke Ludovico. The Duke repeated the complaint to Leonardo and he answered, “I do not know whether I shall ever be able to complete this picture. I have prototypes in life for all the figures except those of Judas and Christ. For them I have no models, although in the case of Judas, if no model turns up I can always take the prior. But for the Christ I have no prototype.” That, however, is digressing.
What I want to say is that when one looks today at the figure of Judas in the picture that has almost completely faded, a shadow is to be seen on this figure, a shadow that cannot be explained in any way, either by the instreaming light or by anything else. Occult investigation finds that the painting was never as Leonardo da Vinci really wanted it to be. With the exception of the figures of Judas and the Christ he wanted to portray everything through light and shadow, but Judas was to be portrayed in such a way as to give the impression that darkness dominated the countenance from within. This was not intended to be conveyed by external contrasts of light and shadows. In the figure of Christ the impression was to be that the light on His countenance was shining from within, radiating outwards from within. But at this point disharmony beset Leonardo’s inner life, and the effect he desired was never produced. This affords a clue when one is observing the many remaining inscriptions made by Leonardo in the Moon sphere. It is an example of something that could not be brought to fulfillment in the earth sphere.
When the period following that of Leonardo da Vinci is investigated, it is found that Leonardo continued to work through a number of those who lived after him. Even externally there can be found in Leonardo’s writings things that later on were demonstrated by scientists and also by artists. In fact, the whole subsequent period was under his influence. It is then discovered that the inscribed imperfections worked as inspirations into the souls of Leonardo’s successors, into the souls of men who lived after him.
The imperfections of an earlier epoch are still more important for the following epoch than its perfections. The perfections are there to be studied, but what has been elaborated to a certain degree of perfection on the earth has, as it were, reached an end, has come to a conclusion in evolution. What has not been perfected is the seed of the following divine evolutionary process. Here we come to a remarkable, magnificent paradox. The greatest blessing for a subsequent period is the fruitful imperfection, the fruitful, justifiable imperfection of an earlier period. What has been perfected in an earlier epoch is there to be enjoyed. Imperfection, however, imperfection originating in great men whose influences have remained for posterity, helps to promote creative activity in the following period. Hence, there is obviously tremendous wisdom in the fact that imperfections remain in the neighborhood of the earth, inscribed in the records of the Akasha Chronicle between earth and moon.
This brings us to the point where we can begin to understand the principle that perfection signifies for the different epochs the end of a stream of evolution, and imperfection, the beginning of an evolutionary stream. For imperfection in this sense men should actually be thankful to the gods.” ~Rudolf Steiner Life Between Death and Rebirth Man’s Journey through the Cosmic Spheres after Death
“Among the five sons of Mattathias is one who is already called Judas in the Old Testament. He was the one who at that time fought more bravely than all the others for his own people. In his whole soul he was dedicated to his people, and it was he who was successful in forming an alliance with the Romans against King Antiochus of Syria (I Maccabees, Chap. 8). This Judas (Maccabeus =The Hammer) is the same who later had to undergo the test of the betrayal, because he who was most intimately bound up with the old specifically Hebrew element, could not at once find the transition into the Christian element, needing the severe testing of the betrayal. Again, if we look at the purely artistic aspect, how wonderfully do the two figures stand out: the grand figure of the Judas in the last chapters of the Old Testament and the Judas of the New Testament. It is remarkable that in this symptomatic process, the Judas of the Old Testament concluded an alliance with the Romans, prefiguring all that happened later, namely the path that Christianity took through the Roman Empire, so that it could enter into the world. If I could add to this something that can also be known but that cannot be given in a lecture to an audience as large as this, you would see that it was precisely through a later reincarnation of Judas that the fusion of the Roman with the Christian element occurred. The reincarnated Judas was the first who, as we might say, had the great success of spreading Romanized Christianity in the world. The treaty concluded by the Judas of the Old Testament with the Romans was the prophetic foreshadowing of what was later accomplished by another man, who is recognized by occultists as the reincarnation of that Judas who had to go through the severe soul-testing of the betrayal. What through his later influence appears as Christianity within Romanism and Romanism within Christianity is like a renewal of the alliance concluded between the Old Testament Judas and the Romans, but transferred into the spiritual.” ~Rudolf Steiner, Gospel of Mark: Lecture 2
“If we let his “Last Supper” work on us, we find two things of which we can say that they do not altogether agree with Leonardo’s view of the principles of painting. One is the figure of Judas. From the reproductions and also to a certain extent from the shadowy painting in Milan, one gets the impression that Judas is quite covered in shadow — he is quite dark. Now when we study how the light falls from the different sides, and how with regard to the other eleven disciples the lighting conditions are represented in the most wonderful manner in accordance with reality, nothing really explains the darkness on the face of Judas. Art can give us no answer as to the wherefore of this darkness. This is fairly clear as regards the Judas figure. If we now turn to the Christ Figure, approaching it not according to Spiritual Science but according to the external view, it only produces, as it were, something like a suggestion. Just as little as the blackness, the darkness of the Judas figure seems justifiable, just as little does the “sunniness” of the Christ Figure, standing out as it does from the other figures, seem to be justified, in this sense. We can understand the lighting of all the other countenances but not that of Judas nor that of Christ Jesus. Then, as if of itself, the idea comes into one’s mind: surely the painter has striven to make evident that in these two opposites, Jesus and Judas, light and darkness proceed not from outside but from within. He probably wished to make us realize that the light on the face of the Christ cannot be explained by the outer conditions of light, and yet we can believe that the Soul behind this Countenance is itself a light force, so that It can shine of Itself, in spite of the lighting conditions. In the same way the impression with respect to Judas, is, that this form itself conjures up a shadow which is not explained by the shadows around it.
This is, as already said, a hypothesis of Spiritual Science, but one that has developed in me in the course of many years and we may believe that the more we considered the problem the more we would find it substantiated. According to this hypothesis one can understand how Leonardo, who strove to be true to nature in all his work and study, worked with trembling brush to present a problem that could only be justified with respect to this one figure. We can then understand that he might well be bitterly disappointed, indubitably so, because it was impossible by means of the then existing art to bring this problem to expression with complete truthfulness and probability. Because he could not yet do what he wanted, he finally despaired of the possibility of its execution and had to leave a picture behind him which still did not satisfy him, and the question as to the feelings with which Leonardo left his picture can be answered in full accord with the whole figure and spiritual greatness of Leonardo. He left it with a feeling of bitterness, realizing that in his most important work he had set himself a task, the execution of which could never be satisfactory with the means available to man. If in the centuries to come no eye will see the picture Leonardo had conjured on to the wall at Milan — that, in any case, was certainly not what lived in his soul. If we picture him thus before his most important creation, we are indeed tempted to ask: What secret really lay behind this figure?”
“…We see very little of Leonardo by looking at his external creations; we get the idea that this soul has still to carry out something in a super-sensible existence and we say to ourselves: Oh! We understand! In order that this soul, in the whole course of its collective existence, which runs through many earth lives, could always reveal something to mankind, it had in its Leonardo existence to pass through a life in which it was only able to bring to expression the very smallest part of what lived within it. Such souls as Leonardo are world riddles and life riddles — world riddles incarnate… Leonardo’s greatness only becomes evident to us when we get an inkling of what he could NOT accomplish. ~RS, Leonardo da Vinci – His Spiritual and Intellectual Greatness At the Turning Point of the New Age
“When we ourselves penetrate into the spiritual worlds and come to know something about the life there, we encounter conditions altogether different from those prevailing in physical life on earth. That is why it is so very difficult to describe these conditions in terms of human words and human thoughts. Any attempt to speak concretely about them often seems paradoxical.
To take one example only, I am able to tell you of a human soul after death together with whom it was possible — because of his special knowledge — to make certain discoveries in the spiritual world about the great painter Leonardo da Vinci, particularly about his famous picture of the Last Supper, in Milan. When one investigates a spiritual fact in association with such a soul, this soul is able to indicate many things which ordinary clairvoyance might not otherwise have found in the Akasha Chronicle. The soul in the spiritual world is able to point them out, but can do so only if there is some understanding of what this soul is trying to convey. Something very noteworthy then comes to light.
Suppose that in company with such a soul one is investigating how Leonardo da Vinci created his famous picture. Today the picture is hardly more than a few patches of colour. But in the Akasha Chronicle one can watch Leonardo as he painted, one can see what the picture was once like — although this is not an easy thing to do. When the investigation is carried on in company with a soul who is not incarnate but has some connection with Leonardo da Vinci and his painting, one perceives that this soul is showing one certain things — for example, the faces of Christ and of Judas as they actually were in the picture. But one perceives, too, that the soul could not reveal this unless at the moment when it is being revealed there is understanding in the soul of the living investigator. This is a sine qua non. And only at the moment when the soul of the living investigator is receptive to what is being disclosed does the discarnate soul itself learn to understand what is otherwise merely vision. To speak figuratively. — After something has been experienced together with such a soul — something that can be experienced only in the way described — this soul says to one: You have brought me to the picture and I feel the urge to look at it with you. (The soul of the dead says this to the living investigator because of the latter’s desire to investigate the picture.) Numerous experiences then arise. But a moment comes when the discarnate soul is either suddenly absent or says that it must depart. In the case of which I have just told you, the discarnate soul said: Up to now the soul of Leonardo da Vinci regarded with approval what was being done, but does not now desire the investigation to continue.” ~Rudolf Steiner, Links Between the Living and the Dead
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POD (Poem Of the Day)
~I make my changes in secret
Like an insect in its chrysalis
Like a lead mountain turning molten golden…
A mummy molding into ripeness
Sanity staring into madness…
My transformation is
Mind, will, purpose & desire directed by love…
I die to let the visible become invisible…
~hag
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Thoughts inspiring my Sacred Gateway talk on Saturday 18 April 2020:
“…What is inscribed into man during the final stage of his descent from the Cosmos to the Earth is inscribed into the part of him we call the spiritual side of the metabolic-limb system. The inscriptions therefore lie deep down in the unconscious, but they are actually there and they pass over into the process of growth, into the health and above all they determine what I will call the “curability” (Heilbarkeit) of a human being when he is ill on Earth. It is obviously important to understand the nature of illness but even more important to understand how to heal. Supersensible knowledge itself is an essential help, for this reveals what has been inscribed from the Akasha Chronicle by the Moon Beings into the forces of the process of growth, into the forces of nourishment, into the forces of breathing, and so on. It is these inscriptions that determine whether a man puts up strong or only slight resistance to the healing of an illness. One individual will be easily healed, another only with difficulty. This is entirely dependent upon how the karma from previous earthly lives makes it possible for the inscriptions to take effect.” ~Rudolf Steiner, Karmic Relationships, Volume VI, Zurich, 28th January, 1924
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The Sacred Gateway: Conscious Living, Conscious Dying, and the Journey Beyond ONLINE CONFERENCE APRIL 17-19, 2020
The Connection between Epidemics, the souls of the Dead, and the Spiritual World, with Hazel Archer-Ginsberg and Eurythmist Raven Garland, on Saturday 18 April 10:45 am – 12:15 am CDT (11:45 am-1:15 pm EDT, 8:45 am – 10:45 am PDT)
& on Sunday 19 April 12:15 pm – 1:45 pm CDT (1:15 pm – 2:45 pm EDT, 10:15 am – 11:45 am PDT): Festivals for the Dead, the Unborn and the Evolution of Earth -Then and Now with with Hazel Archer-Ginsberg and Eurythmist Raven Garland.
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Bring a new consciousness to your own life and death
- Support those who are crossing and who have crossed over
- Expand your practice and knowledge of working with the dying
- Learn more about the soul’s journey from death to new life
Through interactive workshops, biography work, keynote discussions with Rev. Patrick Kennedy and Dr. Melinda Toney, workshops with Hazel Archer-Ginsberg, Sandra LaGrega Jennifer Fox, and more, as well as experiential and artistic activities, we will consciously explore the spiritual and practical aspect of human life and death.
Conference Fees:
- $200 Supporter ~ Live Event + Recordings and Resources, plus Two Sacred Gateway Webinar Series (You can see those by clicking here and here) + One Recorded Online Community Gathering ($80 value), Podcast Links. This level fully supports this conference and other events like it!
- $150 Resource Package ~ Live Event + Recordings and Resources, plus Two Sacred Gateway Webinar Series (You can see those by clicking here and here) + One Recorded Online Community Gathering ($80 value), and Podcast Links
- $95 Regular Rate ~ Live Event + Recordings and Resources
- $45 Youth Rate (Age 35 and under) ~ Live Event + Recordings and Resources
- $45 Keynotes Only ~ Live Keynotes + Recordings
Financial Assistance Available (Email programs@anthroposophy.org)
Conference Schedule
All start times in Eastern Standard Time
(Note: Workshops Subject to Additions/Minor Changes)
Friday, April 17
7:30pm-9pm Conference Opening and Keynote
True Living is Dying: The Life-Giving Power of Death Keynote Discussion and Q&A with Rev. Patrick Kennedy
Saturday April 18
11:00-11:45am Welcome, Introductions and Biography Work
11:45am-1:15pm Two-Day Themed Workshops (Choose one theme and attend Saturday, and Sunday)
- From Loss to Connection Through ]Reading for the Dead and Writing with Marianne Dietzel and Maureen Flannery
- The Lemniscate Journey: Exploring the Relationships in Our Lives from Birth to Death and Death to Rebirth Through Biography and Social Art with Sandra LaGrega and Jennifer Fox
- Giving Way to Grace: Chrysalis Emerging from Conscious Living and Conscious Dying with Melinda Toney, MD, Carole Shoaf End-Of-Life Doula and Katherine Blackburn, End-Of-Life Doula and Esoteric Christian Minister
- Saturday April 18th, 11:45am-1:15pm – Festivals for the Dead, the Unborn, and the evolution of Earth – Then and Now. with Hazel Archer-Ginsberg. How do we look at the karmic connections that shape current events? Our work with those on the ‘Other-side of the Threshold’ can give us clues about the causes and purpose of epidemics and the ways of healing ourselves, our beloved dead and the Earth.
1:15-1:30pm Break
1:30-2:30pm Vigil Room In Our Hearts
2:30-3:00pm Break
3:00-4:30pm Topic Workshops
- The Soul’s Journey Through the Spheres After Death with Mary Stewart Adams
- Acknowledging the End with Jolie Luba
- After Deathcare as a Healing Art with Tischia Bluske
4:30-5:00pm Break
5:00-6:00pm Death & Healing Keynote Conversation with Dr. Melinda Toney
6:15- 7:00pm Group Reflections and Closing
Sunday, April 19
11:00-11:45am Welcome, Introductions and Biography Work
11:45-12:45 Consecrating our Dying Keynote with Patrick Kennedy
12:45-1:15 Break
1:15-2:30 Two-Day Themed Workshops
- From Loss to Connection Through the Arts: Reading, Writing and Drawing with Marianne Dietzel and Maureen Flannery
- The Lemniscate Journey: Exploring the Relationships in Our Lives from Birth to Death and Death to Rebirth Through Biography and Social Art with Sandra LaGrega and Jennifer Fox
- Giving Way to Grace: Chrysalis Emerging from Conscious Living and Conscious Dying with Melinda Toney, MD, Carole Shoaf End-Of-Life Doula and Katherine Blackburn, End-Of-Life Doula and Esoteric Christian Minister
- Sunday April 19th, 1:15 pm – 2:30 pm – Festivals for the Dead, the Unborn, and the evolution of Earth – Then and Now. with Hazel Archer-Ginsberg. Explore the many cultural expressions that work with, and celebrate our beloved dead. Prepare the way for the Unborn, and for the future of humanity. Become inspired to Renew or Create your own Tradition. Learn to find your destiny, and meet your karma. Prepare for your own conscious crossing into the journey between death and rebirth, by asking questions like: Where did I come from? What did I come into to this life to do? Who is with me on this journey?
2:30-2:45pm Break
2:45-3:30pm Green Burial Exploration and Conference Closing
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SAVE THE DATE: Ascension Thursday 21 May 2020 ‘Coming in the Clouds’ a CRC Festival Celebration, 7 pm CDT online
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Lifting the Veil of The New Isis -Sophia, a Telling of the New Isis Myth, with Leading Thoughts, on the Being of Anthroposophia, w/ Hazel Archer-Ginsberg
Friday, 29 May 2020, 7:30 – 9:30 pm at Groh Farm, 135 Temple Rd, Wilton, NH
(if the lockdown is still in effect, look for an online connection)
$10 suggesteddonation – RSVP deb@anthroposophy.org – Sponsored by the Anthoposophical Society in NH
Our dear Dr. Steiner said: ‘It is not the Christ we lack, but the knowledge of Christ, the Sophia of Christ, the Isis of Christ we are lacking.’ In ‘Ancient Myths and the New Isis Mystery: Their Meaning and Connection with Evolution’ Lecture 3; given in Dornach, 6 January 1918, by Rudolf Steiner; we hear how the power of ‘The Word, the power of The Logos’, must be resurrected through our striving to activate the Wisdom of Anthroposophia within each of us. Join Hazel Archer-Ginsberg for a powerful presentation Lifting the Veil of the New Isis-Sophia, to bring Light to Love.
~Vitae Sophia~A Whitsun Festival of United Soul Endeavor with Hazel Archer-Ginsberg Saturday, 30 May, 9:30 am – 12:30 pm Groh Farm, 135 Temple Rd, Wilton, NH
(if the lockdown is still in effect, look for an online connection)
Eurythmy: AUM = A – I stand for myself, U- I stand for humanity, M – I stand for Life
Social Sculpture: Steiner’s ‘Blue Dot Exercise’– Through Art, the bridge between science & spirit, we warm the ‘I’, to open the heart, in support of healthy community.
What are my gifts-What are my tools? How can I place them in right relationship within the social realm? How can I hone them to strengthen and enhance the world?
Living into the Foundation Stone of Love – How can we take our individual Inner Whitsun & expand it, into what Steiner calls the “World Festival of Knowledge” a path leading from ‘Sprit Recollection’, to ‘Sprit Sensing’, to ‘Sprit Beholding’?
Enter the Labyrinth of ‘Vitae Sophia’ – Human hearts, once warmed, can rise up to meet the source of wisdom, like flowers turning toward the sun.
$30 suggested donation at the door, with potluck lunch to follow
(please bring a dish to share) RSVP deb@anthroposophy.org Sponsored by the Anthroposophical Society in New Hampshire
as part of the tour
3 June 2020 – a Round Table Discussion 7 pm – 9 pm on ‘The Sophia’ with John Bloom, Joan Sleigh, Hazel Archer-Ginsberg & Carrie Schuchardt at The House of Peace in Ipswich, MA.
(if the lockdown is still in effect, look for an online connection)
Hazel Archer-Ginsberg – Founder of Reverse Ritual Understanding Anthroposophy through the Rhythms of the Year.Essayist, Lecturer, Poet, Trans-denominational Minister, ‘Anthroposopher’, working as the Festivals Coordinator of the Chicago Rudolf Steiner Branch, The Traveling Speakers Program, & the Central Regional Council of the Anthroposophical Society.
